Jon Petz
Founder of Bore No More and Amazement Artist
Founder of Sewa Beats and Interactive Keynote Speaker
Interactive Drumming · Collaboration · Team Connection
Speaking Fee
Fee on request
Based In
United States
Signature Topic
Interactive Rhythm and Collaboration
Format
Interactive Keynote
Doug Manuel runs a session in which every person in the room is given a djembe drum and the audience becomes the performance, which is a different proposition from a talk about collaboration.
He founded Sewa Beats in 2000, building programs that combine traditional West African drumming with a corporate learning structure, and he has spent more than twenty-five years living, working and drumming alongside villagers in rural Senegal, where the music and the culture the work draws on come from. That grounding matters, because the alternative version of this format is a novelty percussion exercise with a teamwork slide attached at the end.
The mechanism is worth understanding before booking it. A room of several hundred people learning a rhythm together cannot succeed by individual effort, and it fails immediately and audibly when people stop listening to each other. Nobody has to be told that listening matters or that a group can only move at a shared tempo, because the room demonstrates it to itself in about four minutes. He works with a band of professional musicians on stage, and the pieces the audience plays into are songs they already know, which is what stops the exercise feeling like homework.
His clients include Harvard Business School, the World Economic Forum, LVMH, Google and Oprah, and Sewa Beats programs have reached close to half a million participants over two decades. He created Do You Speak Djembe?, a stage show nominated for a Chicago Jeff Award, and was a BBC documentary producer before this work, a background that shows in how the session is paced.
It is the right booking for a conference that has sat still all day, a merged team meeting for the first time, or an event that needs an ending people talk about afterward. It is not the right booking for an audience that must leave with a framework, and organizations usually place it alongside the analytical sessions rather than in place of them.
Interactive Drumming: The Whole Room Plays
Rhythm as a Model for Team Collaboration
Connection and Belonging Across a Diverse Team
Energizing a Conference That Has Stopped Listening
Doug Manuel's fee is not published here and is quoted per event. For an interactive drumming session it is driven by audience size, since drums and facilitators scale with the room, as well as event date, location and travel, session length and how many musicians are on stage. Submit an inquiry with your date and audience size for a current quote and availability.
The format scales to large audiences, with instruments and facilitators provided in proportion to the room. Audience size is the main driver of the quote for this reason, so it should be included in the inquiry along with the venue and whether the session opens or closes the event.
No, and the format depends on them not having any. The rhythms are taught in the room and the pieces are built on songs the audience already knows, so the experience is of a group succeeding together rather than of individuals being tested.
It is delivered as a keynote and functions as both. The point the session makes, that a group can only move at a shared tempo and fails audibly when people stop listening to each other, is demonstrated by the room rather than asserted from the stage. It is usually programmed alongside analytical sessions rather than instead of them.
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Doug Manuel
Founder of Sewa Beats and Interactive Keynote Speaker
Fee on request
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